Twin Vampires, a Scorching Madras, and Two Very Convenient Comparisons
Deadline's Sitges review of Samjad's *Half* describes a lean, mean action-horror in which twin vampires stalk a scorching-hot Madras dystopia set in the none-too-distant future — a premise that reads like a genre dare. The critic reaches for the obvious ancestor, saying the 1996 Rodriguez/Tarantino collaboration *From Dusk Till Dawn* springs immediately to mind, before arguing Samjad gets further into the meat of his material than that comparison would suggest. The instinct to benchmark a new vampire film against the American canon is worth noticing on its own: the shorthand is doing half the reviewing before a single fang appears.
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Vampires in a near-future Indian city is a decent reminder that the genre travels better than its Anglophone canon suggests.
It's also a lesson in how review shorthand works. *Fury Road* and *From Dusk Till Dawn* are labels that tell you the temperature of a film before you've seen a frame of it.