Bill Burr, Aaron Sorkin and the Fiction of Getting Under Zuckerberg's Skin
IndieWire's look at 'The Social Reckoning' begins from a claim about the man at the centre of it: Mark Zuckerberg has shut out dissenting voices. From there the piece is about how a fiction gets built. Aaron Sorkin and Bill Burr discuss the construction of a scenario in which the stand-up gets under his skin — and, in the article's phrasing, Jeremy Strong's. That is a fantasy in the plain sense: a confrontation that is scripted rather than reported. What makes the premise appealing is structural rather than personal. A comedian answers to an audience, not a manager; there is no internal channel to exhaust first, no review to survive. The scene the film imagines is exactly the one an employee cannot stage.
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The stand-up is the useful character here precisely because he has no employer to answer to. Strip that away and the confrontation has nowhere to happen.
Or the interesting part of the fiction is the assumption that the other side would engage at all. A platform that has shut out dissent can also simply decline the scene.